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Catch Bull At Four Remastered
Rmst ed.
Reissued, Remastered
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Catch Bull At Four (Remastered 2022)
"Please retry" | Amazon Music Unlimited |
Price | New from | Used from |
MP3 Music, September 27, 1972
"Please retry" | $9.49 | — |
Audio CD, Original recording reissued, Original recording remastered, July 25, 2000
"Please retry" | $13.98 | $9.99 | $3.55 |
Audio, Cassette, July 7, 1987
"Please retry" | — | $8.93 |
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Track Listings
1 | Sitting |
2 | The Boy with a Moon & Star on His Head |
3 | Angelsea |
4 | Silent Sunlight |
5 | Can't Keep It In |
6 | 18th Avenue |
7 | Freezing Steel |
8 | O Caritas |
9 | Sweet Scarlet |
10 | Ruins |
Editorial Reviews
Product description
CD
Amazon.com
Celebrated and adored for his sanguine lyrics and irresistible hooks, Cat Stevens was one of the rare singer-songwriters capable of composing genuinely optimistic songs that didn't leave a sappy residue in listeners' ears. However, even a cursory listen to 1972's Catch Bull at Four proves that the Cat had seen darkness, too, and that those darker elements had become more pronounced than they'd been in the past. His vocal style shifts from the cool croon that made Tea for the Tillerman and Teaser and the Firecat top sellers to a harsher, almost growling delivery. The album's standouts--the wistful reverie "Sitting" and the delightfully infectious "Can't Keep It In"--are resolute in lyric and melody. Rambling, mystical odes such as "The Boy with a Moon & Star on His Head," "Angelsea," and "Sweet Scarlet" offer quaintly romantic imagery and lavishly undulating melodies. But it's the mercurial dynamics and driving melody of "18th Avenue (Kansas City Nightmare)" and the bitter conviction of "Ruins" that give the album a backbone and a sense of balance. --Sally Weinbach
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.94 x 5.08 x 0.39 inches; 3.46 ounces
- Manufacturer : Universal Music Group
- Item model number : 2140038
- Original Release Date : 2000
- SPARS Code : DDD
- Date First Available : December 7, 2006
- Label : Universal Music Group
- ASIN : B00004VW0S
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #70,050 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #1,447 in Soft Rock (CDs & Vinyl)
- #1,485 in Folk Rock (CDs & Vinyl)
- #2,095 in Pop Singer-Songwriters
- Customer Reviews:
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All this despite the fact that a single was not designated from the album. By chance, Sitting was released as a single and reached #16, however, it clearly demonstrated Cat Steven's approach to album-oriented buyers, serious audiophiles who appreciated introspective and spiritual lyrics. Indeed CATCH BULL AT FOUR still nursed those two Cat Stevens' traits but he introduced a slightly more rough-tinged voice and more electrical over acoustic sounds than on the previous three outings. Cat even added synthesizers to his instruments played as well as double bass, electric mandolin, electric piano and the Böhm Diamond organ. He also arranged for lush choral vocals from a choir and other guest vocalists. If TEASER AND THE FIRECAT was his artistic pinnacle, then CATCH BULL AT FOUR is at the very least his most "interesting" album. Sacrificing nothing from his well nurtured sound, Cat enveloped that sound with more fullness than ever before. The songs are unique, each being a separate story in the great struggle that was indicative of where he felt he was in his search for enlightenment. The most sparse song on the album is the beautiful ode to Carly Simon, his girlfriend at the time, Sweet Scarlet. Also, a significant standout on the album is the Greco-Latin "O Caritas", like Rubylove before it, utilizing bouzouki to add much flavor to an already gorgeous song. Angelsea and Freezing Steel are "heavy" songs (by Cat Stevens standards), Sitting opens up the album with the identification of Cat's journey to find enlightenment. Can't Keep It In is his rock and soul send-up. I find it interesting in this period of musical experimentation that "heavy" electric groups were moving into acoustic instrumentation with a folk edge (Led Zeppelin III) while "folk" artists were adding heavy electric sound to their acoustics! Music was moving to a cross-genre spectrum. For the Cat Stevens purist, one cannot help but point to the lovely story told in The Boy With The Moon & The Star On His Head, simply one of his best compositions ever.
Again, as in another review, I have to mention that I would not hesitate highly recommending you use Amazon's "Frequently Bought Together" feature to save some money and get a trilogy of masterpieces that you can revisit endlessly with earjoyment! TEA FOR THE TILLERMAN and TEASER AND THE FIRECAT are often sold with CATCH BULL AT FOUR at a nice savings and these three albums fit perfectly together like a tailor-made suit.
Cat Stevens 4th spiritual album correlates directly to his stop at the 4th Bull of Zen Buddhism's journey of the Bodhisattva. The student ventures into the wilderness in his search for "the Bull" (the true self). His efforts prove fruitless at first but, undeterred, he keeps searching and eventually finds footprints on a riverbank. When he sees the bull for the first time he is amazed by the splendor of its features ('empty and marvellous' is a well known phrase used to describe the perception of Buddha nature). However, the student has not tamed the bull, and must work hard to bring it under control. Eventually he reaches the highest Enlightenment, returns to the world and "everyone I look upon becomes enlightened".
The album begins with "Sitting" a great song, in my opinion, and the most popular one on the album.
The next and second song on the album is "The Boy with a Moon and Star On His Head." This song tells a love story and, in my opinion, is interesting as it does fall under the genre of a love song while also breaking the normal criteria of true love.
the third song "Angelsea" is very catchy and another great song.
The fourth song is "Silent Sunlight," a more softer and slower song.
The fifth song is "I Can't Keep It In." This song is great and might be the second most popular song on the album.
"18th Avenue" is another great song on the album that is soft but then gets heavier and louder.
All of the songs above are on Cat Steven's compilation album "Gold" except "The Boy With a Moon and Star On His Head." For anybody who has that album and has not heard this one or is not familiar with the songs on this album, the next songs will be almost new and are very great as well.
The song "Freezing Steel" is probably the best song I've ever heard that's about UFO's.
"O Caritas," being the next song, is awesome and it's not even in English (until the last lines.)
With that, the album is almost finished when the song "Sweet Scarlet" begins to play. It is another softer song that begins to get louder. Right now, I like this song more than I like "Silent Sunlight," the other softer song on the album.
"Ruins" is the final song on the album and is epic. It begins soft, gets loud and heavier during the bridge, and dies down again. It is just a great song.
Ultimately, all of the songs on this album are great and Cat Stevens wrote them thus, you can expect great lyrics and great tunes.
The product ended up arriving undamaged and the seller immediately reached out to be sure it was received. Excellent quality and in perfect condition. Thank you Bestcollectionbooks!