David Parry & London Philharmonic Orchestra

The 50 Greatest Pieces of Classical Music

David Parry & London Philharmonic Orchestra

50 SONGS • 4 HOURS AND 23 MINUTES • NOV 23 2009

  • TRACKS
    TRACKS
  • DETAILS
    DETAILS
TRACKS
DETAILS
1
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
03:45
2
Symphony No. 5 in C Minor, Op. 67 "Fate": I. Allegro con brio
07:28
3
The Four Seasons, Violin Concerto No. 1 in E Major, RV 269 "Spring": I. Allegro
03:13
4
5
Die Walkürie, WWV 86b, Act III: Ride of the Valkyries
05:11
6
Nocturnes, Op. 9: No. 2 in E-Flat Major. Andante
04:53
7
Canon and Gigue in D Major, P. 37: I. Canon
03:30
8
Carmina Burana, Fortuna Imperatrix Mundi: No. 1, O Fortuna
02:43
9
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
04:14
10
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity. Allegro giocoso
07:46
11
Suite bergamasque, L. 75: III. Clair de lune
05:14
12
Nabucco, Act III: Chorus of the Hebrew Slaves. Va pensiero, sull'ali dorate
04:59
13
Piano Concerto No. 21 in C Major, K. 467: II. Andante
07:18
14
Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro
05:45
15
16
Symphony No. 9 in E Minor, Op. 95 "From the New World": II. Largo
12:50
17
18
21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor. Allegro
02:39
19
20
3 Gymnopédies: I. Lent et douloureux
03:41
21
22
Bagatelle in A Minor, WoO 59 "Für Elise"
03:16
23
Pomp and Circumstance March No. 1, Op. 39 No. 1
05:46
24
25
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto (Excerpt: Ode to Joy)
02:33
26
Les contes d'Hoffmann, Act III: Belle nuit, ô nuit d'amour "Barcarolle" (Instrumental Version)
03:34
27
28
Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": I. Allegro
05:51
29
30
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
05:37
31
My Fatherland, JB 1:112 "Ma Vlast": II. Vltava
11:27
32
String Quintet in E Major, G. 282: III. Minuetto - Trio
03:48
33
Symphony No. 40 in G Minor, K. 550: I. Molto Allegro
07:02
34
Slavonic Dances, Op. 72: No. 2, Dumka. Allegretto grazioso
05:35
35
36
37
Piano Sonata No. 11 in A Major, K. 331 "Turkish March": III. Alla turca
03:25
38
39
Messiah, HWV 56, Pt. 2 Scene 7: No. 44, Hallelujah (Chorus)
03:32
40
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
02:43
41
42
43
L'Arlesienne Suite No. 1, WD 40: I. Prelude
06:53
44
45
Egmont, Op. 84: Overture
07:58
46
47
Concerto Grosso No. 8 in G Minor, Op. 6 No. 8 "Christmas Concerto": II. Allegro
02:28
48
49
Messa da Requiem: II. Sequence, No. 1, Dies irae - Tuba mirum
03:55
50
Symphony No. 5, Pt. 3: IV. Adagietto
11:01
℗© 2009 Warner Music Group - X5 Music Group

Artist bios

The London Philharmonic Orchestra is a central institution of the British classical concert scene, performing major repertory works, British standards, contemporary music, and more. Especially on recordings, the group has also engaged with music from beyond the classical sphere.

The London Philharmonic Orchestra was formed in 1932 in response to a consensus that London's major orchestras, lacking strong artistic leadership, were inferior to those in Germany and even the U.S. So conductor Sir Thomas Beecham assembled a crack membership of 106 players, and the new orchestra was successful from the start. Beecham steered the group through financial difficulties at the beginning of World War II before resigning for health reasons and due to conflicts over the ensemble's artistic direction. Postwar conductors included Eduard van Beinum (1947 to 1951) and Sir Adrian Boult (1951 to 1958); the latter inaugurated an active recording program, releasing albums that remain standards to this day.

In 1966, Bernard Haitink became the orchestra's principal conductor; his tenure, lasting until 1979, was longer than that of any other conductor of the group until Vladimir Jurowski. The orchestra renovated a disused church, renamed it Henry Wood Hall, and began to use the space for rehearsals and recordings in 1975. Haitink's successor was another giant, Sir Georg Solti, who served as principal conductor from 1979 to 1983 and continued as conductor emeritus afterward, often appearing and recording with the orchestra. Solti was succeeded by a trio of Germans, Klaus Tennstedt in 1983, Franz Welser-Möst in 1990, and Kurt Masur in 2000. Welser-Möst officially installed the orchestra as the resident ensemble of the Royal Festival Hall, which remains its main concert venue.

The orchestra has also had numerous guest conductors over the years, and these have been responsible for many of its crossover releases. Although not as active in this field as the London Symphony Orchestra, the London Philharmonic has made high-visibility film soundtrack recordings. These include soundtracks for such films as Jesus Christ Superstar (1973), The Fly (1986), and the trilogy The Lord of the Rings, as well as the anthology Academy Award Themes (1984). The orchestra has released albums devoted to the music of progressive rock bands Pink Floyd and Yes, and as far back as 1959, it released the album Hawaiian Paradise. In 2011, the London Philharmonic recorded 205 national anthems in preparation for the London Olympic Games of the following year. The orchestra's album releases, classical and otherwise, numbered 280 by 1997 and has increased by well over 250 albums since then; in the year 2001 alone, the orchestra released 21 albums. The London Philharmonic established its own LPO label in the mid-2000s decade and has issued large amounts of music, both classical and not, including Genius of Film Music: Hollywood Blockbusters 1980s to 2000s, in 2018.

In 2007, the London Philharmonic was in the forefront of taking advantage of the wave of talented Russian musicians who had emigrated to the West, installing Vladimir Jurowski as principal conductor. He remained in the post until 2020, becoming the orchestra's longest-serving conductor and leading the group in a 2021 recording of Mahler's Symphony No. 8 ("Symphony of a Thousand"). In 2020, Karina Canellakis became the orchestra's first female principal guest conductor. Jurowski was succeeded in 2021 by Edward Gardner, who became the group's first British principal conductor for decades. ~ James Manheim

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