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Sleep Well Beast
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Sleep Well Beast [Explicit]
"Please retry" | Amazon Music Unlimited |
Price | New from | Used from |
MP3 Music, September 7, 2017
"Please retry" | $9.49 | — |
Vinyl, September 8, 2017
"Please retry" | $25.10 | — |
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Track Listings
1 | Nobody Else Will Be There |
2 | Day I Die |
3 | Walk It Back |
4 | The System Only Dreams In Total Darkness |
5 | Born To Beg |
6 | Turtleneck |
7 | Empire Line |
8 | I'll Still Destroy You |
9 | Guilty Party |
10 | Carin At The Liquor Store |
11 | Dark Side Of The Gym |
12 | Sleep Well Beast |
Editorial Reviews
CD
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 5.91 x 5.59 x 0.12 inches; 2.68 ounces
- Manufacturer : 4AD
- Original Release Date : 2017
- Date First Available : May 11, 2017
- Label : 4AD
- ASIN : B0716RP8ZH
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #31,976 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #15,243 in Rock (CDs & Vinyl)
- Customer Reviews:
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Top reviews from the United States
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I feel like I’ve been raised on The National, or at least nursed through adulthood by them. I first heard them on a barista’s coffeeshop playlist a good eleven years ago, and I needed to know who they were; soon I was seeing them play small shows at the likes of the Metro. And after seeing Berninger’s inimitably odd onstage energy, I really became an apostle, preaching their virtues to anyone who was even halfway listening. (I can’t describe it, I’d tell people. He’s like an autistic robot. You just have to go see it.) And yet there’s always been a dark air of doubt hovering about my rock-steady faith; I’ve never turned Judas, but I might be Peter or Thomas at least, ready to deny him at the first hint of danger, or to cast doubt on every implausible reappearance until I hear it with my own ears. (“Jumping the shark” may be a phrase that’s jumped the shark, but it comes to mind. Matt Berninger feels like my own personal Jesus, but I keep looking for evidence he’s something else, not walking on water but being pulled inexorably across it, another Fonzie on waterskis heading for the ramp.)
I thought that moment had arrived on "High Violet" when I first heard “Lemon World.” It thought it had arrived for sure during the first few spins through "Trouble Will Find Me," when it seemed a little samey-samey. I thought it was here for sure for sure FOR SURE when I heard “The System Only Dreams in Total Darkness” on YouTube and it sounded kinda meh. And I really thought it was absolutely positively irredeemably here the first time I listened to this whole album and heard the weird disjointed bland vocals of “Walk it Back” and what sounds like a sloppy catastrophe on “Turtleneck.”
And yet every true Nationalist knows you really can’t render a definitive verdict on anything "Alligator" and after until at least 20 listens. And so it goes here. It wasn’t until a week or two after I purchased it that I started really getting into it. I’ve said it before, but the band’s like looking at the night ocean under bright moonlight; there are weird little details that emerge out of nowhere, and an overall energy that’s calmly compelling. While I wasn’t initially nuts about the odd abbreviated guitar noodlings on the lead single, they do fit, a series of warmups for a crackly energetic Dessner guitar solo that really lights up the song. The propulsive Devendorf drumming and high descending Dessner arpeggios of “Day I Die” are as strong as anything they’ve written. “Born to Beg” is a beautiful sleeper that easily passes notice on first listen. And the delicate tinkling piano of “Guilty Party”—evocative of Radiohead for me, at least—is perhaps my favorite sound in music, at least for the moment. Indeed, the songs I liked on first listen are now songs I love, and the songs I hated are now calling me back. One wonders again how long it can last—“It all catches up with me all the time,” Berninger declares on “Guilty Party,” and it isn’t hard to imagine all the fun-but-destructive behavior eventually destroying the band, too. But by the time he croons "I’m gonna keep you in love with me for a while,” on “Dark Side of the Gym,” you realize he HAS kept you in love, and you hope against hope that “a while” lasts forever. As has been the case with everything except their debut, there will come a time when you will need to listen to precisely THIS album multiple times in a row--and no other National album, let alone any other album by anyone else, will quite do. So I’m settling in for the night with "Sleep Well Beast," and praying for more to come. As it was since "Alligator," is now and ever shall be, career without end. Amen.
The Brooklyn (by way of Ohio) band's sound is basically as follows: Matt's rich baritone hovering over minor guitar chords and flowing single black and white piano notes; atypical rhythmic rock drumming and strings and horns. The synergy of these elements create word pictures and lush soundscapes.
Sleep Well Beast sticks to this tried and true formula on roughly half of the tracks. Carin at the Liquor Store is a cinematic version of the traditional National sound (love the space age guitar solo.) The System Only Dreams in Total Darkness and Guilty Party expand the group's style with a splash of Kid A era Radiohead. This expansion is not drastic. It still sounds like the one and only National.
The overall impact of listening to this recording is stunning. The only time the new direction misfires is on the final song, Sleep Well Beast. It just drones on and on... The rest of the album is sheer bliss. Sadness never sounded so beautiful.
My album did arrive in less than mint condition--significant splitting on the binding. Kind of disappointing. This happens frequently enough to me, I often question why I bother trusting online purchases of vinyl. My particular experience, increased my likelihood I'll go to the brick and mortar record store next time around. Sorry Bezos!
Top reviews from other countries
It’s arrived quickly and in perfect shape.
Cet album est une pure merveille entre la voix charismatique et en même temps non chalante de Matt Berninger et des superbes solos de guitares des frères Dessner.
C'est un album qu'on apprécie de plus en plus à force de le réécouter. Il a été très difficile pour moi d'apprécier toutes ces subtilités dès la première écoutes. Au final, on retient l'intérêt de titres très dissembbales ce qui donne un intérêt majeur à l'album.
On est vraiment dans la perfection au niveau des arrangements entre la voix et les guitares.
Concernant le vinyle, enfin les deux vinyles blancs. Le pressage est excellent, le son est très bon, aucune perturbation.
On sent qu'on a pas le même son exactement que le cd. Certains instruments, ou la voix sont dès fois mis en avant les uns par rapport aux autres, ce qui donne un aspect intéressant en comparaison de la version numérique, c'est là l'intérêt d'un vinyle.
Vinyle avec Gatefold superbe, rien à re dire de plus.
Si vous trouvez que mon commentaire vous a été utile, pouvez-vous cliquer en bas sur "oui"?, Un grand merci !!